I started working at a public radio station in 1984. Public
radio is the only place to be in radio with no experience. I fought administrative
and programming squares tooth and nail to maintain creative control over
my show. I fought to play the neglected blues and soul music that moved
me deeply, all that and to be able to run my own commentary.
Against all academic Blues-nerd, Jazz-Nazi odds I prevailed. I brought
then, and still bring today, many unsung blues heroes to the listening
audience that other radio program hosts barely know about…or worse, won't
play. The folks that dig my show contributed heavily to the public radio
fund drive beg-fests, specifically for my program. My show raised close
to 20% of all fund drive dollars contributed via phone and mail-in pledges.
The Bone Conduction Music Show was the most successful show in that
public radio station's history. In public radio, that and $1.36 will get
you a cup of coffee. On a serious note, the show must go on. I play tunes
that nobody else does. I'm not bragging, just laying down a fact. And people
need that. Many say I've cost them thousands of dollars because they have
to seek out and buy the tunes I lay across their audio g-spots. Check out
the playlists on my website, they go back to 1996.
Until I came along, if you wanted to hear a hint of seizure inducing
blues music you had to put up with an academically oriented, granola-bar
chomping, earth-shoe wearing, blues-nerd history lesson to do so. And generally,
you only got the high profile stuff. The music that you couldn't sit still
to, the music that came out of juke joints, corner bars, and whorehouses
(and that is exactly where the unsung heroes of blues live and play) was
not being dispensed via the airwaves. If it was even hinted at on the radio
it was done so only on the far left end of the dial, in educational fashion.
It was all heritage and history-it was not fun.
To me this is music to drink beer to. Don't get me wrong. I resonate
deeply with the history of it all, and can out-history the best of them.
But the wig singeing rock, hip-shaking soul music, and industrial strength
rhythm and blues was originally designed, produced, and set out to make
you shake your groove thing, to make you get all the way live. The great
majority of public radio blues disc-jockeys don't get that. It's all 'title,
label, and artist' listings between songs-in the most borrrrrrrrrrring
delivery possible. Hey, if the Good Lord didn't want you to shake your
tail feather he never would have given you one.
I don't say any of this to diminish the work of folks that are passionate
about the music. Radio has always been something I actually listen to.
Radio is a friend to hang with. To me, radio isn't something to have on
as background noise while you get your teeth cleaned and it isn't a college
classroom. Radio is the stuff of anticipation and excitement. Lordy, have
mercy on my sweet young mojo, that's what I try to put into every broadcast
I do…and will until the stainless steel hook of unemployment comes creeping
through the door. I try to do the blues work of The Lord as best I can.
Won't you help me? Here's how: If it isn't giving you goose bumps big as
jaybird eggs-turn it off.
Thayrone X's website: http://www.thayrone.com/