Blues Musicians
50 Top Blues Musicians
By T-Bone
Albert
King (1923-1992) - Blues Musician
Albert
King played a
huge role in bringing Memphis-style Soul into the Blues and
popularizing the genre among both Blacks and Whites. His relaxed
vocal style, coupled with his intense string bending on the
guitar, was an intoxicating mixture that would go far in bringing
the Blues to a much wider audience. His guitar style on songs
such as his earlier "Don't Throw Your Love On Me So Strong" and
later hits on Stax - "Born Under A Bad Sign" and "Cross Cut Saw"
- would find its way into the playing of Jimi Hendrix,
Eric Clapton, Mike Bloomfield, and especially
Stevie Ray Vaughan, among many others.
Slim
Harpo (1924-1970) - Blues Musician
James
Moore, better
known as Slim Harpo, was one of the most popular Blues
artists to cross over into the Rock world. His songs "I'm A King
Bee," "Baby, Scratch My Back," "Tip On In," and
"Tee-Ni-Nee-Ni-Nu" defined the Swamp Blues based out of Baton
Rouge, Louisiana.
Jimmy
Reed (1925-1976) - Blues Musician
Jimmy
Reed had more
success in crossing over to the Pop charts than any other Blues
musician. His lazy, relaxed songs with their infectious rhythm
seemed to hit a nerve in the record-buying public during the late
'50s and early '60s. His songs landed on the Pop Top 100 chart 11
times. "Baby, What You Want Me To Do," "Bright Lights, Big City,"
"Honest I Do," and "Big Boss Man" are just a few of his sides
that have become standards of the genre.
Otis
Spann (1930-1970) - Blues Musician
Quite
simply, Otis Spann is the man that every Blues piano
player that has come along since looks to as the standard to live
up to. Playing a huge role in helping Muddy Waters define the
small Blues combo sound of Chicago in the '50s, Spann's playing
was the epitome of how to not only back a singer, but how to add
much depth, interest, rhythm and melody to the proceedings. A
much-underrated singer in his own right, Otis will nevertheless
always be associated with the great songs he recorded with
Muddy.
Albert
Collins (1932-1993) - Blues Musician
Known as
the "The "Iceman" and "The Master of the Telecaster," Albert
Collins was unique, but also epitomized the Texas guitar
slinger. Many guitarists have tried hard, many in vain, to
duplicate his signature stinging guitar licks. Coming out of the
fertile and exciting Blues scene of Houston in the '50s and '60s,
Albert would go on to create a fusion of infectious, horn-driven
Blues that was always funky. Just about every Blues band has a
Collins style instrumental in their repertoire.
John
Mayall (b.
1933) - Blues Musician
The elder
statesman of British Blues, perhaps no one has done more to
further the Blues in England than John Mayall, if only for
his pioneering efforts there and the fact that so many premier
musicians have made their mark in his many lineups. Many
illustrious Mayall alumni have gone on to greater fame after
their apprenticeship with John. Eric Clapton, Jack Bruce,
John McVie, Mick Fleetwood, Peter Green, and
Mick Taylor all played with Mayall in the '60s, and later,
Americans Walter Trout and Carlos Montoya would
both hone their chops with the man.
Freddie
King (1934-1976) - Blues Musician
This
extremely powerful singer, guitarist, and performer came out of
Texas and first made his mark in Chicago in 1961 with his blend
of danceable instrumentals and passionate vocal sides. Freddie
King probably has done as much as anyone to attract a younger
Rock audience to the Blues due to his fiery and energetic style.
"Hideaway," "Have You Ever Loved A Woman," and "I'm Tore Down"
are just a few of his classic tunes that have become standards of
the genre.
Paul
Butterfield (1942-1987) - Blues Musician
Paul
Butterfieldwas one of
the first white musicians to gain acceptance and respect in the
Blues scene in Chicago of the '60s. His powerful harp playing
anchored his band that also featured Mike Bloomfield and Elvin
Bishop, along with ex-Howlin' Wolf sidemen Jerome
Arnold and Sam Lay, making the Paul Butterfield
Blues Band one of the first integrated bands. Their first two
albums proved instrumental in helping bringing the Blues into the
mainstream.
Johnny
Winter (b.
1944) - Blues Musician
This
incredibly talented guitar slinger from Texas was responsible for
first exposing a multitude of aspiring young, white guitarists to
the Blues in the late '60s. His first album on Columbia
featured both Willie Dixon and Walter "Shakey" Horton and
brought an authenticity to the Blues that many other white Blues
artists had lacked. Johnny Winter went on to explore a
more Rock approach, but came back to the Blues in the late '70s.
Winter was responsible for producing the albums that put Muddy
Waters back in the limelight, garnering the legendary Bluesman
his first Grammy awards.
Eric
Clapton (b. 1945) - Blues Musician
Perhaps
no one has turned more guitarists onto the Blues than Eric
Clapton due to his huge, worldwide popularity with The
Yardbirds, John Mayall, Cream and his own bands. His
tone and style during his time with Mayall has become legendary,
with hordes of guitarists snatching up the same equipment that he
used in an attempt to recreate his sound. His From The
Cradle album gave the Blues a huge shot in the arm in 1994
when it was much needed, giving traditional Blues songs a chance
to be heard on commercial radio.
Stevie Ray
Vaughan (1954-1990) - Blues Musician
If there
is a person more successful than Clapton in getting the Blues
across to the masses, it was Stevie Ray. Vaughan almost
single-handedly brought the Blues to the world's consciousness in
the '80s. His incredible way of combining Albert King and Jimi
Hendrix licks with a fresh fire and attitude spawned countless
imitators. He earned the utmost respect from his mentors and his
legacy is still felt strongly today.
Well,
that concludes my list of what I feel are the 50 Most Influential
Blues Musicians of all time. Of course, there are many, many
deserving people that were left off this list. Just some of the
ones that come to immediate mind are Skip James, Guitar
Slim, Otis Rush, and Buddy Guy.
Several
women that have made their indelible mark in the male-dominated
world of the Blues include Memphis Minnie, Ruth
Brown, and Koko Taylor, not to mention the more
Jazz-oriented Billie Holiday, Dinah Washington, and
Sarah Vaughn.
Sax
players are certainly under-represented here as well. Big
Jay McNeely is the man who perhaps best personifies the
term "Blues honker." Then there are the other artists that
certainly have a Blues pedigree, but are better known for other
styles, such as Ray Charles who pioneered Gospel-Soul and Fats
Domino who is better known as one of the fathers of Rock 'n'
Roll.
The list
has to end somewhere and my list is only one man's humble
opinion. Most of all, the making of this list was designed to
generate interest in the Blues and the people that created the
music, bringing much joy to all of us Blues lovers across the
globe for so many years.
Don
"T-Bone" Erickson is the founding editor of BluesWax.
T-Bone may be contacted at blueswax@visnat.com.
This article appeared in BLUESWAX. Used by permission.